George Mantzios
Mary Seeger O'Boyle Postdoctoral Fellow, 2024-2025
- DegreePh.D., Anthropology, University of Toronto, 2023DissertationFuture Past Due: A Re(-)collection of Unthinkable Histories from Memoranda-era GreeceResearch ProjectFuture Past Due: A Re(-)collection of Unthinkable Histories from Austerity-era Greece
George Mantzios holds a PhD in Sociocultural Anthropology from the University of Toronto (2023). His research is driven by an interdisciplinary interest in how histories matter: that is, how dominant and subjugated experiences of the past become differentially embodied and/or disembodied in public and national spaces through contemporary practices and forms of historical redress, ranging from grassroots archival activism and speculative fiction to the defacement, toppling, and reappropriation of contested public monuments. Along these lines George’s work contributes to pressing public debates about the place-based relationships between monumentality, political aesthetics, cultural heritage, restorative justice, public memory, and collective identity. His doctoral research has been supported by multiple scholarships from the Social Sciences and Humanities Research Council of Canada. Alongside his academic research, since 2018 George has served as the Associate Director of the Pelion Summer Lab for Cultural Theory and Experimental Humanities.
About the Research Project
Future Past Due: A Re(-)collection of Unthinkable Histories from Austerity-era Greece
This book project builds on ethnographic and archival research carried out in Athens between 2016 and 2020 to advance an interdisciplinary investigation into the cultural politics and aesthetics of historical redress in and from austerity-era Greece. It does so by constellating ethnographic, literary, and archival case studies involving the defacement, ruination, and multi-sited remediations of publicly contested national monuments and infrastructure projects. Special focus is given to the contested Cold War histories and futuristic afterlives of what remains at and of Ellinikon International Airport, a longtime derelict modernist airport turned temporary refugee camp in Greater Athens, which has become an iconic site through which domestic cultural producers are seeking to critically reframe politicized developmental narratives of national take-off and modern European arrival amidst evolving forms of foreign intervention, dispossession, and mass displacement.