Registrar description
Henry Staten has recently argued for a re-evaluation of art in relation to the concept of techne. This seminar addresses this argument by considering the evidence for artistic production from ca. 300-1600. Working from objects, written sources, and archaeological evidence, the class seeks to define both the status of the artist and of the arts across this period. Social, economic, and cultural considerations shape this conversation. When possible, each meeting builds upon the close examination of works in the Princeton University collections.